Through the development of Syntorial I’ve formed some pretty strong opinions when it comes to synthesis. So I figured I’d share them with the world in the form of a Top Ten List. I organized them into a Top Ten List because I once read that people like Top Ten Lists. So, assuming you’re not a dog or a woodland elf, I expect you’ll find the following tips to be helpful in your never ending quest to tame the powerful and beastly monster that is Synthesius Electricus. Pick ONE Synth To Start Yes, that’s right, ONE. “But Joe, there are SO many amazing synths out there, loaded with so much crap that I have absolutely no previous knowledge of but somehow know that I need!” If you really want to master synthesis and sound design, you have to narrow your scope and focus on one synth.

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Get to know it inside and out. Having an incredibly strong foundation in one synth, makes it SO much easier to learn another, because with that in-depth understanding of a single synth comes a strong understanding of synthesis in general. Whether or not you end up sticking with this particular axe for the long haul, isn’t as important. We’re considering this first synth to be a vehicle for learning synthesis, so choose ONE. Pick The Right Synth So now the question is, WHICH synth do you choose?

Which lucky lady/gentleman will you be taking to the prom? Well, first off, make sure it’s subtractive. Now I’m not going to bore you with a scientific definition of subtractive. Partly because I don’t want to, but mostly because the scientific definition of subtractive will help you pick out a synth about as much as a soup ladle will help you win a thumb war. Just know that most synths are subtractive, and will contain your classic bread-and-butter waveforms like Saw, Pulse, Triangle, maybe Sine, and possibly a few others. If in doubt, consult the synth’s website, manual, developer, manufacturer, grandmother, next door neighbor, local butcher, or OBGYN.

Examples of synth types that are NOT subtractive are FM, granular, physical modeling and wavetable. Stay away from them (for now).

You’re probably not old enough to date them anyway. Secondly, keep it simple. Synth manufacturers/developers like to dazzle you with feature lists. Well they can shove their feature lists.

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The following is a list of synths I recommend. There are SO MANY great synths out there. But these are synths that provide a nice range of core synth parameters, without piling on too much.

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