Dichotomies and Dreamland by Soundpool, released 07 May 2008 1. Welcome To Dreamland 2. Pleasure and Pain 3. Reality Sequence 4. Do What You Love.

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This includes requests for re-uploads; if you miss it, try looking for it somewhere else. Repost the rules at the top of each new page. Sly and the Family Stone Anthology 'Amazon.com For a time, it seemed as if Sly Stone would change the world, and it's only because his music was so ambitious that we forget, sometimes, that he did just that. His integrated band played funk-based jams, but always with touches of soul, blues, rock, and lots and lots of pop, a synthesis that spoke to its time even as it predicted the future. Comprising some of the most accomplished and inspirational music ever created, this 20-song set contains all but the last of his hits as well as a few hard-edged album tracks.

Until a proper box set is put together, this will have to do. --David Cantwell'.

Radioinactive piramidi rare earth. Pyramidi, an Album by Radioinactive. Released 21 August 2001 on Mush (catalog no. Genres: Abstract Hip Hop, West Coast Hip Hop. Featured peformers: Radioinactive (writer). Radioinactive released the first solo album, Pyramidi, on Mush Records in 2001. The Weather, his collaborative album with rapper Busdriver and producer Daedelus, was released on the label in 2003. Radioinactive Pyramidi Rar. Radioinactive on. Radioinactive Pyramidi Rarlab Mac Get all the lyrics to songs on Pyramidi and join the Genius community of music scholars to learn the meaning behind the lyrics. Busdriver & Radioinactive With Daedelus - The Weather - Amazon.com Music. Freestyle Fellowship - When The Sun Took A Day Off And The Moon Stood Still - Duration: 5:06. Montecarlomayne 186,178 views. View credits, reviews, tracks and shop for the 2001 Vinyl release of Pyramidi on Discogs.

Eero Johannes - Eero Johannes Eero Johannes has been on my radar for awhile, as he showed up on Planet Mu's roster last year and 'Lipton Service Boy' appeared on their compilation Plan μ. It was a fun track, but I was only spurred into seeking this album out after dipping my toe into the wider scene from which Johannes originates. Eero Johannes is one of the more interesting artists creating music in the peculiar vein of Scandinavian electro-funk/pop (somewhat unfortunately) known as skweee.

Johannes' self-titled album (and skweee in general, but mostly this album) has been particularly refreshing coming after many months of exploration into the colder tones of noise and dubstep. The funk-influenced drum programming and warm, candy-colored synth tones here are hard to resist. Much of the fun of the album is the wobbling between bouncy electro-funk and robo-rave that wouldn't feel out of a place on an Oizo album (particularly 'Hal Manifesto') but it works best when you get a little bit of both, in my estimation. For people who like a little more melody in their techno, and a must-have for anyone who likes the sound of synthetic slap-bass. Quote from: Boomkat Planet Mu advance into the inviting world of Skwee with a full length Skwee eL Pee from Finland's Eero Johannes. For those unfamiliar with Skwee, it's basically a lo-fi and quite tongue-in-cheek style of synth pop indiginous to the peoples of Scandinavia, with practitioners and producers ranging from The Knife through to DMX Krew or Mesak.

As far as i'm aware (feel free to correct me) this is the first full album of Skwee music recieving a domestic release in the UK so well done Eero, go you. The album itself is a very entertaining little oddity, with Eero originally booted out of his funk band for too many Bass solos, he finds time here to fully indulge in a bit of slapped and thrummed bottom end with poignantly piquant melodies to drag your emotions fully up to speed with your ass.

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It's proper hero music for those days when you can't get out of bed and just need the naughtiest 8-bit synth solo to let you know it ain't all that bad. Code: Paul Baran - Panoptic Paul Baran's debut on the Fang Bomb label recalls one of my favorite records from last year, Sunken Foal's Fallen Arches, in its just-a-bit-off tonality, ramshackle feel, use of prepared instruments, and subtly placed electronic flourishes. However unlike that record, Panoptic mines more of an ambient / avant-garde vein than an IDM / folk vein. Brass and guitar are layered over ever-present electronic and organ drones, tuneful enough but just a little weird, which is ultimately how I like my music. It might be a little off-putting at first but this is avant-garde with a small A - there's a lot of beauty here for the patient listener.